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c. 1445 – May 17, 1510. Italian painter.

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Jean Auguste Dominique Ingres
akilles mottager i sitt talt agamenons sandebud

ID: 64748

Jean Auguste Dominique Ingres akilles mottager i sitt talt agamenons sandebud
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Jean Auguste Dominique Ingres akilles mottager i sitt talt agamenons sandebud


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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.   Related Paintings of Jean Auguste Dominique Ingres :. | Portrait of Napoleon on the Imperial Throne | Portrat der Madame Riviere | Oedipus Explains the RIddle of the Sphinx (mk05) | The eTukish Bath (mk45) | The Turkish Bath |
Related Artists:
William J. McCloskey
painted Lady Apples in Overturned Basket. Signed W.J. McCloskey in 1941 United States (1859- 1941 ) - Painter
Kuzma Petrov-Vodkin
Russian Painter, 1878-1939 Russian painter. He began his studies in the drawing and painting classes of F. Burov (1843-95) in Samara (1893-5), and he attended Baron Stieglitz's school in St Petersburg from 1895 to 1897. He studied under Abram Arkhipov, Nikolay Kasatkin and Valentin Serov at the Moscow School of Painting, Sculpture and Architecture from 1897 to 1905 and at Anton Azb?'s school in Munich (1901). After working in various private studios in Paris between 1905 and 1908, he travelled to Constantinople (now Istanbul), Greece and Italy in 1905 and to Algiers in 1906. On his return to Russia, he held an exhibition in the editorial offices of the magazine Apollon in St Petersburg (1909). From 1911 to 1924 he exhibited with the WORLD OF ART group and from 1925 to 1928 with the FOUR ARTS SOCIETY OF ARTISTS. From the early 1910s Petrov-Vodkin's work was influential in the artistic life of St Petersburg. He attempted to reconcile classical and modern trends. His style was formed under a wide range of influences, often seemingly incompatible: 19th-century Russian painters such as Aleksey Venetsianov,
Friedrich Paul Nerly
(Venedig 1842-Luzern 1919 ) - Painter






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